In Memory of Takenobu Igarashi (1944–2025)

The design world has lost a visionary. Takenobu Igarashi, whose revolutionary three-dimensional typography and sculptural works redefined the boundaries between art and design, has passed away at the age of 80.

Takenobu emerged as a singular talent in the 1970s when his distinctive approach to dimensional letterforms took shape in the global design community. What began as explorations in axonometric projection evolved into fully realized sculptures that transformed typography from a two-dimensional practice into spatial art.

His alphabet series, corporate identities, and public installations demonstrated not just technical mastery but a profound understanding of how design shapes our experience of the world. Takenobu’s work bridged Eastern and Western design sensibilities, creating a universal visual language that continues to influence generations of designers.

Beyond his artistic achievements, Takenobu was committed to dissolving the artificial boundaries between fine art and applied design. He saw beauty in the everyday and worked tirelessly to bring artistic thinking into commercial and public spaces.

As we reflect on his legacy, we celebrate not just what Takenobu Igarashi created but how he transformed our understanding of what design could be. His work remains a testament to the power of innovation, craftsmanship, and the endless possibilities that emerge when creativity knows no bounds.

His influence will continue to resonate through the countless designers who have found inspiration in his bold, dimensional vision.

Remembering Tak: A Tribute to Takenobu Igarashi

By: B. Martin Pedersen

One recent morning, I came to work and received an email that Takenobu Igarashi had passed away. This came as a shock to me.

He was known to everyone who knew him as Tak, and he was a multi-award-winning master in graphic design first, and then later, he evolved brilliantly as a sculptor and fine artist.

I first met him when I was asked to speak at a design conference in Park City, Utah. The conference was started in 1980 by graphic designer Don Weller from California and was named TDCTJHTBIPC (The Design Conference That Just Happens To Be In Park City Utah). It was a brilliant idea, and John, who loved to ski, invited a speaker for each of the five conference evenings.

I was invited to speak and was told that I would be doubled up with another speaker who didn’t speak English. When I arrived, I settled into the room, and within an hour, I heard a knock on the door. It was Takenobu Igarashi.

He settled in, and then we sat. We pantomimed with sign language, and he related that he was nervous about the evening because he didn’t know any English. I asked if I could see his work, and when I saw it, I was knocked out. I pantomimed back to him, saying, “You don’t have anything to worry about.” The work, without any words from him, would speak brilliantly for him, and of course, it did. After he presented his work, the audience stood up and applauded him for three to five minutes.

Years passed, and we connected professionally at conferences. In 2017, he called me and asked if I would design a book of his work and have Graphis publish it. I told him I would definitely have Graphis publish the book, but I said I must get another designer to design it. He asked me why, and I explained that he was a god to me and that I would freeze on the job. He kept insisting, and at the time, Arna, my wife who worked with me full time, was aware of this, and she came up with a solution. She told me I should believe it was my work, not his.

I told Tak several times that I honestly believed he would go down as the designer of the century for the fine art he produced.

Rest in peace, Tak.

Takenobu Igarashi (March 4, 1944 – February 12, 2025)


Takenobu Igarashi (March 4, 1944–February 12, 2025) was a pioneering Japanese artist and designer whose groundbreaking work in three-dimensional typography and sculpture transformed the landscape of modern design. His innovative spirit and dedication to blending art with everyday life leave an indelible mark on the creative world.

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Discover more of Takenobu’s work with his book, Takenobu Igarashi: Design and Fine Art.

Author: Graphis